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Leon Polk Smith, Untitled, 1964, torn paper drawing, 39 x 25 in., signed and dated l.r.
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Ilya Bolotowsky, Black Light, 1950, oil on canvas, 22 x 34 in.
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Alice Trumbull Mason, Small Forms Serving Against Large, 1949, oil on panel, 26 ¼ x 36 ¼ in., signed verso
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Ray Parker, Untitled (#756), 1961, oil on canvas, 79 x 87 in.
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Doug Ohlson, Adrian, 1968, acrylic on canvas, 90 x 68 in.
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Myron Stout, Untitled, 1951 (March 5), oil on canvas, 24 x 32 in.
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Jackson Pollock, Untitled (After CR#333), 1951, screenprint, ed. 16/25, 29 x 23 in., CR#1094 (P30), signed and dated with edition number "25/16," printed in 1951 by Pollock and Sanford McCoy at Deep River, CT in an edition of 25
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Jack Youngerman, Bluefoil, 2011, oil on Baltic birch plywood, 60 x 60 in., signed and dated verso
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Leon Polk Smith, Untitled, 1964, torn paper drawing, 39 x 25 in., signed and dated l.r.
image
Ilya Bolotowsky, Black Light, 1950, oil on canvas, 22 x 34 in.
image
Alice Trumbull Mason, Small Forms Serving Against Large, 1949, oil on panel, 26 ¼ x 36 ¼ in., signed verso
image
Ray Parker, Untitled (#756), 1961, oil on canvas, 79 x 87 in.
image
Doug Ohlson, Adrian, 1968, acrylic on canvas, 90 x 68 in.
image
Myron Stout, Untitled, 1951 (March 5), oil on canvas, 24 x 32 in.
image
Jackson Pollock, Untitled (After CR#333), 1951, screenprint, ed. 16/25, 29 x 23 in., CR#1094 (P30), signed and dated with edition number "25/16," printed in 1951 by Pollock and Sanford McCoy at Deep River, CT in an edition of 25
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Jack Youngerman, Bluefoil, 2011, oil on Baltic birch plywood, 60 x 60 in., signed and dated verso
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